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In 1976, I observed a similar situation between the conductor and the orchestra, with the participation of Karl Böhm, who, fifty-one years older than me, made his debut at the San Francisco opera in the same season as me. He was engaged in a new production of Women Without a Shadow, but although he was considered one of the leading world experts on Richard Strauss and even conducted at the official celebration of Strauss's eightieth birthday in Nazi Germany, the orchestra was in the platoon.